Could you elaborate why you feel that way towards Arturia's stuff? Any examples would be appreciated, I'm still newbie to sound design and not sure what details to look for in sound selection/design so I don't really know the full possibilities of what's out there yet. Yeah, perhaps its just me, but I would ditch the Arturia bloatfest from your list unless you're certain you like it.ĭamn really? I love some of the stuff that's out of the box in Arturia Analog Labs V, is V Collection different? I thought they were considered good. They do make some decent hardware (MIDI controllers) though. I personally wouldn't recommend Arturia software to anyone, although I know some people claim to like them. I'll get around to selling them at some point for a discount to any interested parties. And currently I have uninstalled both from my device and de-registered them from my Arturia account. Lennar Digital - Sylenth1 (oldie but goldie)Īrturia V Collection 8 (and also Pigments 3) = For me, these have been my biggest waste of money. ValhallaDSP - Delay, VintageVerb, Plate, Room, Shimmer, Supermassive (Free), FreqEcho (Free), SpaceModulator (Free). Can Pigments 3 still compete? (Spoiler alert: oh, yes.U-He - Diva, Hive 2, Zebra 2 / ZebraHZ, Repros
However, in the two years since Pigments was originally released, the competition has heated up, particularly in the wavetable department. The French company has clearly been busy, as version 3 arrives with yet another synthesis engine, an additional filter type and new filter routings, a clutch of new effects, and more. Now, just about two years on from its original release, Arturia have dropped Pigments number 3. We were impressed enough to include it on our list of the best wavetable synths available. Not content to set it and forget it, the driven developers at Arturia released Pigments 2 later that same year, adding a sampler and granular engine among other tweaks. With a mix of virtual analogue and wavetable engines, it offered a nice compromise for musicians who wanted the sound of the former and the convenience and complexity of the latter. That all changed in 2019 with the release of Pigments, their first original softsynth. Until recently, Arturia were best-known (software-wise, at least) for their emulations. Can this colourful plugin hold its own in a very crowded softsynth market?
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